From Caste to ‘Taste’ - The Unfinished Story of Kerala’s Clothing Protests
Kerala loves its Renaissance. Navodhanam rolls off the tongue in cultural festivals, political speeches, and school textbooks like a badge of collective pride. It is the word that animates our sense of being modern, secular and progressive. A convenient shorthand for a heroic leap from caste darkness into the light of equality. But what if this Renaissance is not the neat, linear saga we’ve been told? What if its symbols - upper cloths, nose-rings and fine cotton saris - tell a more tangled story, one woven not just with reform but with resistance, repression, and erasure? This blog invites you to read Kerala Renaissance not as a procession of noble reformers but as a contested terrain of bodies, fabrics, and forbidden desires. Through the lens of Foucault’s political technology of the body and Bourdieu’s aesthetics of taste, we peel back the glossy narrative to expose its seams - those stitched together by ezhava women and forgotten rebels like Arattupuzha Velayudha Panickar, with t...